Although Joey loves art projects I often struggle to find appropriate projects he can access easily. Painting projects always please him, but it usually ends up being a rather large mess and I can only get paint on someone else’s carpet so many times a month. Painting also tends to be over quickly and does not always allow him to be overly independent or purposeful. [Read more…]
Lobster/Mobster/Monster?
Sometimes I find it takes a long time to explain Joey’s successes because there is so much background needed to set the stage for each story. Sometimes it involves explaining where words are on his AAC device, or how he uses his AAC device and words to communicate, or even what an AAC device is. These stories get complicated. That being said, read on because I think you’ll be as proud of Joey as I am.
One of my favorite board books of all time is Mommy! Mommy! written by Taro Gomi. It tells a simple but relatable story of little chicks looking for their
mommy. They spot her across the farmyard by looking for the red comb on the top of her head, which
sticks out over plants and rocks. Sometimes they find her, and sometimes when they think they’ve found her they find something else that looks like her comb instead. When I first introduced this book to Joey he immediately fell in love with it. Truthfully, I was surprised. It almost seemed too simple for him, but he asked to have it read over and over again.
On our first read Joey enjoyed touching where he thought the mommy was hiding and turning the page to see if the mommy was really there or if it was a look-alike. The first time she was there. Then the chicks found a flower behind a rock instead of their mommy. The third time they found (what I believe is) a scary dog.
OK. Whenever I read this page my adult mind continues to call the animal a dog. Yet every child I’ve ever read this book with calls it a monster. It’s long and red and scary so I guess it does look a bit monster like. The chicks in the story look terrified. My own daughter and I have gone back and forth on this point (my husband sides with my daughter). Joey proved to be no different.
He studied the picture for a minute, and then made the /m/ sound while looking up at his words. “Dog” I said, and assumed he just hit the wrong button when he clicked on the tab for ocean animals. “Mmmmm” he said again and hit octopus, frowned slightly, went back into his ocean animal tab and hit lobster. Each time he said “mmmmm” before he hit lobster.
Sometimes I’m a bit slow to catch on. “Oh, I guess we could say it’s a lobster. It’s kind of red and long and looks like a lobster.” Joey gave me a look and then continued to call it a “/mmm/… lobster” every time we read it.
OK, say lobster. Now take away the /l/ sound. You get obster. Now add the /m/ sound. Mobster. Now change the b to an n. A stretch? Maybe. But this is a kid who just started playing with rhyme. My guess is that to his ears lobster/monster rhymes. And he figured out a way to get us as close as possible to saying monster. We’ll presume competence and go with it. After all, every other four year old whose ever read this book has declared that the figure on the page is a monster.
This kid. He never stops surprising me.
Teaching Rhyming Part Two
Last week we talked about the importance of exposing Joey to the phonemic awareness activities such as rhyming games to help prepare him for skills later in life. Here are some of the rhyming games and activities we are working on so far.
We started with a silly game of “feed the hungry rhyming monster” where I put two pictures of food in front of Joey and ask him to find the one that rhymes with what the monster is saying. We are using made up words because like manana, mueberries, and mookie because it is easier to hear the rhyme in a nonsense word. Joey is forced to focus on the sounds in the word instead of the meaning. We also play silly games with Joey’s name to continue the word play. (In the classroom I used to call kids to line up by their rhyming names throughout the day. “Boey can line up now!” Nothing is sillier to young children than hearing an adult call them by their rhyming name…)
Once Joey was able to identify the silly word with it’s real food we moved on to rhyming real words. I made an interactive song book of Down by the Bay and velcroed pictures of what Joey could choose to put together. Although we have the traditional lines “Goose kissing a moose”, “Bear combing his hair” and “Whale with a polka dot tale”, we added other options so that Joey will not just memorize pairs of words, but will be focused on listening to the rhyme. Now Joey can choose which animal to sing about (cat, fox, fish), and then choose what rhymes with it (hat, box, dish). Once he’s chosen his rhyme we make up a silly song about it. “Have you ever seen a fox hiding in a box? Have you ever seen a fish eating a dish?” The sentences don’t need to make sense, they just need to rhyme. His choices are all on laminated cards that move in and out of the book with Velcro. This way Joey can physically participate in the song and game.
Pretty soon we’ll start the song “Willabee Wallabee Whoo”, which is another fun rhyming song that leads to practicing decoding skills. “Willabee Wallabee Woey…. An Elephant sat on Joey!” We’ll have picture cards out of family members and Joey will be able to pick the family member whose name most sounds like the rhyme.
Right now I’m not overly concerned about Joey’s accuracy with these games. I want to expose him to the concept of rhyming so that he begins to recognize that some words sound the same. Years from now when he is ready to learn to read, this background will give him some of the phonological awareness he’ll need.
Stay tuned next week for how Joey spontaneously used his new rhyming skills to help with his communication.
Teaching Joey Phonemic Awareness
“I want to eat the mueberries!” I made the puppet say, “What rhymes with mueberries?” Joey scanned his hand over the two pictures of fruit on his tray – bananas and blueberries. Then, instead of handing me the picture like I expected he went into his words and said blueberries. “Exactly! Mueberries/Blueberries rhymes!” I celebrated, and then made my puppet pretend to eat up the mueberries while Joey looked on confused. I don’t think he appreciated my game although he was fine answering my rhyming questions.
Years ago I read a research study that showed the correlation between children with a high phonological awareness in preschool and those who were successful readers. Children who had difficulty with phonological awareness often struggled with reading as they got older. The article also discussed that children who weren’t exposed to language opportunities that would develop their phonological processing (such as children from low income households who didn’t attend preschool) were predisposed to be struggling readers. Over the years this article stuck with me because it shows ways we can provide early intervention. We don’t need to be teaching young children to read, but we can be playing word and sound games with them to help them tune into our language.
As my teaching career went on I’d find myself continuing to think about this article and not just what it meant for kids from low-income families, but also what it means for children with disabilities. Often when we are working with children with developmental delays in early childhood we focus on the delay and forget to expose the child to what a typically developing child would be exposed to. It makes sense – we see a problem and we want to fix it. But what we don’t realize is that in doing so we are actively limiting opportunities for these kids. We might fix the delay, but by then the child has missed out on other opportunities.
I try to consistently remind myself of this when I plan lessons and activities for Joey. We can always work on how he uses his AAC device, or his motor control but I want to make sure he is exposed to the same material a typically developing child is exposed to.
To give him this opportunity we recently began playing rhyming games. Rhyming is truly a precursor skill to decoding unfamiliar words. What you really do when you create a rhyme is take away the first sound of a word and replace it with another sound. You have to hold that second part of the word in your head and then blend it with another initial sound. This is exactly the same skill required when you decode words later on. I often find that early on children have difficulty recognizing rhymes. Although it seems so basic to those of us who have been rhyming since before we can remember, our brains do not automatically register those similar ending sounds. They need to experience it over and over again, and in some cases need to have their attention directly drawn to those similar sounds.
Luckily, rhyming can also be extremely fun and silly to teach. Fun and silly is exactly what Joey likes. Next week’s post will cover different rhyming games Joey and I are playing.
*1 Kimberly G. Noble; Nim Tottenham; B. J. Casey, The Future of Children, Vol. 15, No. 1, School Readiness: Closing Racial and Ethnic Gaps.(Spring, 2005), pp. 71-89.
*2 Coch, D., Grossi, G., Coffey–Corina, S., Holcomb, P. J. and Neville, H. J. (2002), A developmental investigation of ERP auditory rhyming effects. Developmental Science, 5: 467–489
Love for Groovy Joe
It’s appropriate that one of Joey’s current favorite books is Groovy Joe’s Dance Party Countdown since he shares a name with the main character. Groovy Joe loves music, and in this story, he’s forever being interrupted by knocks on his door with additional dogs who want to rock with him. By the end of the story there are eight dogs in the room and less space for Joe, but does Joe get upset? “Goodness no!”
Groovy Joe is written by the same author as the original Pete the Cat series and has many of the same picture book characteristics that work so well for engaging kids with communication needs. The story is repetitive but lively, and the repetition includes a short song as well as some repetitive phrases, so the children can participate musically as well as verbally as they become familiar with the pattern.
Joey likes to hold a maraca, egg shaker, or even bang on a drum, to participate in the repeated song within the story “Disco Party, Bow Wow!” Providing him with an instrument gives him the ability to be a part of the story experience and holds his attention. He listens for his part of the story to come and recognizes the book’s pattern. As the words get closer to the moment when he can shake his bell his face lights up. He knows what’s coming next.
After a few readings Joey started orally participating in the repetitive line of “Goodness no!” Because the line before is always “Does Joe get upset?” Joey has a cue that it’s his turn. At first, he used his AAC device to select “no” after I said goodness, but now he’ll utter what he intends to be “goodness no!” along with the story.
The book has also provided opportunities to practice those core vocabulary words on his AAC device. Joey can “help me read” by selecting the question word who when Joe asks who’s at the door in knock-knock format. Joey can use his numbers on the AAC device to identify how many dogs are at the door and respond, “4 who?”. He can even work on making the phrase “4 more dogs”. As more and more dogs come along, Joey can use his eye gaze AAC device to count the dogs or answer the question “How many dogs are there now?”
Once again, Eric Litwin has proven that he understands what makes an engaging book for young readers. Joey and I approve.
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